D’Souza’s corollary to Godwin’s law:
As an argument with a conservative grows longer, the probability that they will blame you for causing 9/11 approaches one.


If “other” and “others” are before your eyes,
Then a mosque is no better
Than a Christian cloister;
But when the garment of “other” is cast off by you,
The cloister becomes a mosque.
A random trail of breadcrumbs ends unceremoniously at this Pajamas Media piece on “The Islamification of Europe’s Cathedrals,” which asserts (from Los Angeles) with a straight (if pop-eyed, sweat-soaked) face that—
The recuperation of places and buildings that were once mosques or sacred Islamic sites is the primary method employed by Muslims to reconquer Al-Ándalus. So-called moderate Muslims are oftentimes more effective than extremists in gaining concessions because of their attempts to portray Western democracies as intolerant if those countries don’t cede to certain demands. This technique has been used repeatedly in the case of the Córdoba Cathedral.
Meanwhile, they’ve started whispering that Barack Hussein Obama is some sort of Wahabbist Manchurian candidate. —They really have gone around the bend, haven’t they? They really aren’t coming back, are they? I mean, I know this, but Jesus good God damn.

“Sir, prove to me that you are not working with our enemies.”
A lot of people are upset at the fascistic übertones of Sean “Haw Haw” Hannity’s new “Enemy of the State” feature, but what I want to know is this: why the hell is he dressing like Mahmoud Ahmadinejad?

Tipping their hand.
Red is the boldest of all colors. It stands for charity and martyrdom, hell, love, youth, fervor, boasting, sin, and atonement. It is the most popular color, particularly with women. It is the first color of the newly born and the last seen on the deathbed. It is the color for sulfur in alchemy, strength in the Kabbalah, and the Hebrew color of God. Mohammed swore oaths by the “redness of the sky at sunset.” It symbolizes day to the American Indian, East to the Chippewa, the direction West in Tibet, and Mars ruling Aries and Scorpio in the early zodiac. It is the color of Christmas, blood, Irish setters, meat, exit signs, Saint John, Tabasco sauce, rubies, old theater seats and carpets, road flares, zeal, London buses, hot anvils (red in metals is represented by iron, the metal of war), strawberry blondes, fezes, the apocalyptic dragon, cheap whiskey, Virginia creepers, valentines, boxing gloves, the horses of Zechariah, a glowing fire, spots on the planet Jupiter, paprika, bridal torches, a child’s rubber ball, chorizo, birthmarks, and the cardinals of the Roman Catholic Church. It is, nevertheless, for all its vividness, a color of great ambivalence.
—Alexander Theroux, The Primary Colors
Red state, blue state: it’s divisive bullshit, an accident of history barely six years old, it’s a goddamn eyeworm, an honest-to-god meme that won’t get out of the way, a map that warps the thing it maps. It’s magic, is what it is. All this business, George Lakoff and his frames, George Bush and his backdrops, David Brooks capitalizing random nouns in a desperate attempt to bottle that Bobo lighting once more, the hoarse, fierce shadowboxing around “surge” or “escalation” that would be grotesque if it weren’t already so weirdly disconnected—it’s all magic, groping for the emblem or rite, the utterance or name that will when written or shown or repeated often enough bring about that change in accordance with will. Some of it works, some of it doesn’t; as usual, it’s the stuff nobody’s trying to make work that works the best. Psycohistory’s still an art, not a science. (Hence: magic.)
—Digby points us to the latest effort of some apprentices to the art: Applebee’s America: How Successful Political, Business and Religious Leaders Connect with the New American Community. Written by a former Clinton strategist, a former Bush strategist, and a former national political writer with the AP, it purports to tell us:
Political commentators insist that the nation is a collection of “red states” (Republican) and “blue states” (Democrat). The reality is that America is a collection of tribes—communities of people who run in similar lifestyle circles irrespective of state, county, and precinct lines.
And there’s some stuff about Navigators (“otherwise average Americans help their family, friends, neighbors, and coworkers negotiate the swift currents of change in twenty-first-century America”) and how fundamental political decisions are made with the gut and not the head and how the authors have cracked the twenty-first century code with their “LifeTargeting” [sic] strategies, etc. etc. —But at least they’ve abandoned red-state blue-state, right? Faceted their analysis into tribes? Brought some nuance into the picture, beyond those two drastically simplified tribes, red and blue?
Yup. There’s three.
Red. Blue. And Tippers.
No. Not otherwise entertaining Second Ladies with an inexplicable mad-on against explicit pop music. People who, like, tip, from red to blue. And back. Get it? Tippers?
—If you’re curious as to how you’d rate in this 2004-level political analysis, there’s a quiz. I scored as a member of the Red tribe. (Apparently, Dr. Pepper, Audis, TV Guide, and bourbon are all more Red than Sprite, Saabs, US News & World Report, and gin.) —I’m thinking their “LifeTargeting” maybe needs to go back to the drawing board for a bit.
Now, I’m not knocking dualism. Dualism isn’t always bad; like any tool, sometimes it’s useful, sometimes it isn’t. With a book like Applebee’s America, there are, indeed, two tribes: those the authors (and the publisher) are trying to reach, and those they couldn’t care less about. A quick scan of the website makes it clear who’s us and who’s them in this particular case:
Their book takes you inside the reelection campaigns of Bush and Clinton, behind the scenes of hyper-successful megachurches, and into the boardrooms of corporations such as Applebee’s International, the world’s largest casual dining restaurant chain. You’ll also see America through the anxious eyes of ordinary people, buffeted by change and struggling to maintain control of their lives.
This isn’t political or sociological analysis. It isn’t even pop sociology. It’s an I’ve Got Some Cheese book. “Applebee’s America cracks the twenty-first century code for political, business, and religious leaders struggling to keep pace with the times,” says so right on the website. —And if you see yourself as a political, business, or religious leader in this twenty-first century, looking out on the ordinary people from behind the scenes in the boardrooms, well, they’ll gladly hand you a neatly bound stack of printed paper in exchange for your money.
—Nor am I knocking the idea of tribes, or guts. Psychology Today has a mildly interesting follow-up to the “Crazy Conservative” study of mumblety-mumble spin-cycles ago, and really, the basic idea that conservatism stems from fear and uncertainty, that liberalism and tolerance are best nurtured by stability and confidence, these are hardly controversial ideas, when you stop and think about it. (In the terms I’ve chosen, yes. Hush.) —For those who want something boiled a wee bit harder, there’s the work of Mark Landau and Sheldon Solomon, on page 3, which gets interesting about here:
As a follow-up, Solomon primed one group of subjects to think about death, a state of mind called “mortality salience.” A second group was primed to think about 9/11. And a third was induced to think about pain—something unpleasant but non-deadly. When people were in a benign state of mind, they tended to oppose Bush and his policies in Iraq. But after thinking about either death or 9/11, they tended to favor him. Such findings were further corroborated by Cornell sociologist Robert Willer, who found that whenever the color-coded terror alert level was raised, support for Bush increased significantly, not only on domestic security but also in unrelated domains, such as the economy.
Old hat, yes, to anyone who’s been paying any attention at all, but how many of us really do? —You have to turn to page 5 for the punchline.
If we are so suggestible that thoughts of death make us uncomfortable defaming the American flag and cause us to sit farther away from foreigners, is there any way we can overcome our easily manipulated fears and become the informed and rational thinkers democracy demands?
To test this, Solomon and his colleagues prompted two groups to think about death and then give opinions about a pro-American author and an anti-American one. As expected, the group that thought about death was more pro-American than the other. But the second time, one group was asked to make gut-level decisions about the two authors, while the other group was asked to consider carefully and be as rational as possible. The results were astonishing. In the rational group, the effects of mortality salience were entirely eliminated. Asking people to be rational was enough to neutralize the effects of reminders of death. Preliminary research shows that reminding people that as human beings, the things we have in common eclipse our differences—what psychologists call a “common humanity prime”—has the same effect.
Ask us to consider carefully. Remind us of the things we have in common. It’s apparently that simple. Which doesn’t mean it’s easy. And any book that was actually about how to lead and build and make the most would talk about how to do that, and how to keep on doing that.
Anything else is magic, and as any real magician will tell you, magic’s a great way to make some money—but it’s a lousy way to chop wood and carry water.
Blue is a mysterious color, hue of illness and nobility, the rarest color in nature. It is the color of ambiguous depth, of the heavens and of the abyss at once; blue is the color of the shadow side, the tint of the marvelous and the inexplicable, of desire, of knowledge, of the blue movie, of blue talk, of raw meat and rare steak, of melancholy and the unexpected (once in a blue moon, out of the blue). It is the color of anode plates, royalty at Rome, smoke, distant hills, postmarks, Georgian silver, thin milk, and hardened steel; of veins seen through skin and notices of dismissal in the American railroad business. Brimstone burns blue, and a blue candle flame is said to indicate the presence of ghosts. The blue-black sky of Vincent van Gogh’s 1890 Crows Flying over a Cornfield seems to express the painter’s doom. But, according to Grace Mirabella, editor of Mirabella, a blue cover used on a magazine always guarantees increased sales at the newsstand. “It is America’s favorite color,” she says.
—Alexander Theroux, The Primary Colors

®udy!
Rudy Giuliani has taken a tip from Harlan Ellison and trademarked his name. The Daily News doesn’t make it clear if he’s just slapped a ™ after it, or ponied up the money for a full ®, but I think it’s a mistake to assume as Steve Benen does that this is just about Giuliani’s consulting business. The Trademark Dilution Act became law in October, and it allows an injunction against infringing actions “by reason of dilution by tarnishment, the person against whom the injunction is sought willfully intended to harm the reputation of the famous mark.” Speak ill of Rudy® (or Rudy™), and you’ll be shut down. —Oh, sure, there’s an exemption carved out for “all forms of news reporting and news commentary,” but who the hell knows what that is, anymore?

One state, two state, red state, blue state.
Amanda Fritz makes a pretty good case for Oregon going red in 2008.

Scena Penultima—
LA STATUA:
Pentiti, scellerato!
DON GIOVANNI:
No, vecchio infatuato!
LA STATUA:
Pentiti!
DON GIOVANNI:
No!
LA STATUA:
Sì!
DON GIOVANNI:
No!
LA STATUA:
Ah! tempo più non v’è!
(Fuoco da diverse parti, il Commendatore sparisce, e s’apre una voragine.)
DON GIOVANNI:
Da qual tremore insolito
Sento assalir gli spiriti!
Dond’escono quei vortici
Di foco pien d’orror?
CORO di DIAVOLI (di sotterra, con voci cupe):
Tutto a tue colpe è poco!
Vieni, c’è un mal peggior!
DON GIOVANNI:
Chi l’anima mi lacera?
Chi m’agita le viscere?
Che strazio, ohimé, che smania!
Che inferno, che terror!

Magisteria.
Let Chris Clarke tell you a story about the struggle between Vishnu and YHWH.

What we're fighting for,
or, The Triumph of Faith over Works.
A day in the life of the average Iraqi has been reduced to identifying corpses, avoiding car bombs and attempting to keep track of which family members have been detained, which ones have been exiled and which ones have been abducted.
2006 has been, decidedly, the worst year yet. No—really. The magnitude of this war and occupation is only now hitting the country full force. It’s like having a big piece of hard, dry earth you are determined to break apart. You drive in the first stake in the form of an infrastructure damaged with missiles and the newest in arms technology, the first cracks begin to form. Several smaller stakes come in the form of politicians like Chalabi, Al Hakim, Talbani, Pachachi, Allawi and Maliki. The cracks slowly begin to multiply and stretch across the once solid piece of earth, reaching out towards its edges like so many skeletal hands. And you apply pressure. You surround it from all sides and push and pull. Slowly, but surely, it begins coming apart—a chip here, a chunk there.
That is Iraq right now. The Americans have done a fine job of working to break it apart. This last year has nearly everyone convinced that that was the plan right from the start. There were too many blunders for them to actually have been, simply, blunders. The “mistakes” were too catastrophic. The people the Bush administration chose to support and promote were openly and publicly terrible—from the conman and embezzler Chalabi, to the terrorist Jaffari, to the militia man Maliki. The decisions, like disbanding the Iraqi army, abolishing the original constitution, and allowing militias to take over Iraqi security were too damaging to be anything but intentional.
The question now is, but why? I really have been asking myself that these last few days. What does America possibly gain by damaging Iraq to this extent? I’m certain only raving idiots still believe this war and occupation were about WMD or an actual fear of Saddam.
—Riverbend, “End of Another Year”
So why did the president wait so long to rid himself of this meddlesome general? Well, politics is politics, remember. “Many of Mr. Bush’s advisers say their timetable for completing an Iraq review had been based in part on a judgment that for Mr. Bush to have voiced doubts about his strategy before the midterm elections in November would have been politically catastrophic.”
The saddest thing about the 3,000th American death in Iraq is that unlike the first batch of casualties, people getting killed or maimed in Iraq these days are really doing so in the course of a bad faith military option.
We’ve all lost some of the compassion and civility that I felt made us special four years ago. I take myself as an example. Nearly four years ago, I cringed every time I heard about the death of an American soldier. They were occupiers, but they were humans also and the knowledge that they were being killed in my country gave me sleepless nights. Never mind they crossed oceans to attack the country, I actually felt for them.
Had I not chronicled those feelings of agitation in this very blog, I wouldn’t believe them now. Today, they simply represent numbers. 3000 Americans dead over nearly four years? Really? That’s the number of dead Iraqis in less than a month. The Americans had families? Too bad. So do we. So do the corpses in the streets and the ones waiting for identification in the morgue.

“Vengeance is mine; I will repay,” saith the Lord.
In some otherwise excellent comments on the clusterfucked execution of Saddam Hussein, Josh Marshall said something that gave me pause:
Vengeance isn’t justice. Vengeance is part of justice. But only a part.
I agree that when you’ve been wronged, it can be very, very hard to separate your need for justice from your need for vengeance. This is why judges should always and forever bend toward the asymptote of impartiality, and why “victims’ rights” drives are rarely a good idea.
Vengeance has no place in justice. Vengeance is temporary, short-sighted; the destructive flailing of the hurt who can’t see what they’re hitting. Justice is what you eventually build if you’re lucky enough to survive the ravages of vengeance. —You may feel I’m splitting a miniscule mote plucked from his eye, but this is important: a system of justice that gives any consideration to vengeance is a shameful system, one that mistakes means for ends, that sacrifices peace, justice, for the visceral satisfaction of righteous outrage. Righteous, perhaps; but outrageous nonetheless.
I mean, I know in my bones that impeachment isn’t enough for the various members of the Bush administration. Imprisonment will not bring back the hundreds of thousands of lives we’ve sacrificed for his petty vanity. —When he is turned out of office, I’d want him to tour the country, town by town, set up each morning in the square before the courthouse and allow passersby to sock him in the nose. Not quite inviting passersby to saw at the most famous neck in the realm—Secret Service agents could keep things from getting out of hand—but it would, perhaps, eventually add up in small dollops of vengeance to something you could measure on the awful balance sheet.
But the hundreds of thousands would still be dead, and our nation no closer to something we could claim was health, and the lines would become too long and unwieldy (even if we allowed consolation shots at the noses of Rumsfeld, Cheney, Rice, Snow, McCain, Lieberman, et bloody al). —So I agitate instead for hearings, and impeachment; justice, not vengeance.
They really are quite different.

Moral equivalency.


In case you needed another reason to watch the final season of The Wire.
Yes, the last season. The last theme is basically asking the question, why aren’t we paying attention? If we got everything right in the last four seasons in depicting this city-state, how is it that these problems—which have been attendant problems regardless of who is in power—how is it that they endure? That brings into mind one last institution, which is the media. What are we paying attention to? What are we telling ourselves about ourselves? A lot of people think that we’re going to impale journalists. No. It’s not quite that. What stories do we want to hear? How closely do they relate to truth; how distant are they from the truth? We have a story idea about media and consumers of media. What stories get told and what don’t and why it is that things stay the same.

I blog. You blog. He, she, it blogs. We blog; you blog; they blog.
Two Yotsubas! and a full Wayne-and-Garth “We are not worthy!” cluster to Teresa Nielsen Hayden. —Except, of course, we are; that’s our redemption, and our curse. Get cracking.

I’m the best there is at what I do. The trick is not to mind it—
Whew! Rube Malek and Cole Coleman don’t have to wait for Buck Williams or Rayford Steele or Storm Saxon to save their bacon. Mike Mackey and the fine folks at ACC Studios have unleashed a Berkeley professor’s flawed duplication ray to bring us—Libarro World!
- Lt. Kerry, a pro-military warrior,
- Deaniac, an unexcitable ultra-genius,
- Miss Rodham, a sultry anti-feminist, and
- Teddie, a distinguished teetotaler.
Available in the pages of Liberality #3. (Keep your eyes peeled for the “Final Drudge Report” variant cover.)

“He would be as happy as anyone to be rid of these men. They frighten him as much as they frighten everyone else.”
I was going to say something, anything about Orson Scott Card’s latest exercise in one-state-two-state-red-state-blue-state (here, but also here, here, here, here, here, here, and here). But then I remembered I’d already quoted what somebody else had to say:
Unsuccessful in war and unable to adjust to a troubled peace, Weimar’s visionaries dismissed what was for them an overly complex, difficult, and demoralizing reality and indulged in elaborating fantasies of a vicious war of revenge that cast them in the role of conquerors. In their literature these angry men gave vent to primitive wishes for the annihilation of France, England, the United States, or whomever else they pictured as Germany’s enemy. But the war visions of the 1920s were not merely the self-serving fabrications of isolated malcontents. Instead of being left to dissipate in the realm of dreams, daydreams, and semireligious entrancement, the visions of revenge and renewal were converted into a literature of mass consumption. The published fantasy—often a quirky mixture of adventure story, fairy tale, millenarian vision, and political program—was intended to act as a catalyst inflaming the same type of emotions among the readers that originally elicited the fantasies in the minds of their creators. In this manner, what originated as compensation for the frustrated individual was transformed into a psychological tool, a propagandistic call for militant nationalism and engagement in antirepublican politics. Some of these writers, in fact, were also active as political speakers and agitators.
“History doesn’t repeat itself,” said Mark Twain, “but it does rhyme.” —Except, of course, he didn’t, and anyway, rhyme’s gone all out of fashion. Though I wouldn’t trust fidelity or fashion to keep us safe, not from this crew. Remember, “If This Goes On—”

Wolverines!
Webcartoonist David Willis is surprised when his Transformers Fan Club email list coughs up a bloody shirt. Red Fridays, folks: feel the magic.

















